European Journal of Korean Studies – Vol 19.2

European Journal of Korean Studies – Vol 19.2

Special Section: North Korean Popular Culture 1 KEITH HOWARD, SOAS University of London Special Introduction: North Korean Popular Culture 7 PETER MOODY, Columbia University From Production to Consumption: The Socialist Realism/Personality Cult Divide in North Korean Popular Music 37 ROWAN PEASE, SOAS University of London A Cross-Border Life and Legacy: Zheng Lücheng 57 PEKKA KORHO……

Chong Young-hwan – The Japanese Military ‘Comfort Women’ Issue and the 1965 System: Comfort Women of the Empire and Two-fold Historical Revisionism (pages 201-227)

Abstract Since its publication in 2013, Park Yuha’s book Comfort Women of the Empire (Cheguk ŭi wianbu) has become a major point of contention for those concerned with the “comfort women” issue. However, while this book has been frequently cited amidst the recent maelstrom of Japan–Korea relations, the actual content of the book has received…

Min Koo Choi – The Creation of the Modern Individual in Modern Korean Literature: Kim Tong-in’s Novella Mau˘ m i yo˘ t’un chayo˘ (A Person with a Weak Heart, 1919–1920) (pages 103-123)

Abstract Kim Tong-in (1900–1951) strove to not only refine the form of the modern novel but also to create a new type of modern individual character. This paper examines Kim Tong-in’s novella Maŭm i yŏt’un chayŏ (A Person with a Weak Heart, 1919–1920), which draws on the modern Korean intellectual’s self-portrait of the inner self…

Mikwi Cho – Koreans across the Sea: Migration of Laborers to the Metropole, 1910–1937 (pages 161-200)

Abstract This paper is concerned with Korean farmers who were transformed into laborers during the Korean colonial period and migrated to Japan to enhance their living conditions. The author’s research adopts a regional scale to its investigation in which the emergence of Osaka as a global city attracted Koreans seeking economic betterment. The paper shows…

Gooyong Kim – From Hybridity of Cultural Production to Hyperreality of Post-feminism in K-pop: A Theoretical Reconsideration for Critical Approaches to Cultural Assemblages in Neoliberal Culture Industry (pages 125-159)

Abstract This paper evaluates a current discourse of cultural hybridity that is deployed to examine the global success of local popular culture from South Korea. Indicating the discourse is descriptive without retaining an explanatory merit, I propose an alternative perspective based on Jean Baudrillard’s notion of simulation and hyperreality, while focusing on the political economy…