
The Samjiyon Orchestra as a North Korean Means for Gender Based Cultural Diplomacy (Page 57-82)
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A Cross-Border Life and Legacy: Zheng Lücheng (Page 37-56)
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From Production to Consumption: The Socialist Realism/Personality Cult Divide in North Korean Popular Music (Page 7-35)
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The Changing Patterns of North Korea’s International Film Co-Productions Since the 1980s: A Global Value Chain Approach (Page 83-108)
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Korean Muslims: Shaping Islamic Discourse and Identities Online (Page 129-147)
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Sources of Conflict: A Comparative Synthesis of American and Korean Parricides (Page 195-224)
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Border-Crossing and the Shaping of an Imagined Citizenship: The Case of Korean Picture Brides (Page 149-170)
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Modern Womanhood, the Ideology of the Housewife, and Young Female Rural–Urban Migrants in the 1960s and 1970s in South Korea (Page 171-194)
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More Than Just Simple Fun: North Korean Karaoke in Pyongyang and Beyond (Page 109-128)
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