Border-Crossing and the Shaping of an Imagined Citizenship: The Case of Korean Picture Brides (Page 149-170)Volume 19.2 Details
From Production to Consumption: The Socialist Realism/Personality Cult Divide in North Korean Popular Music (Page 7-35)Volume 19.2 Details
Modern Womanhood, the Ideology of the Housewife, and Young Female Rural–Urban Migrants in the 1960s and 1970s in South Korea (Page 171-194)Volume 19.2 Details
More Than Just Simple Fun: North Korean Karaoke in Pyongyang and Beyond (Page 109-128)Volume 19.2 Details
Sources of Conflict: A Comparative Synthesis of American and Korean Parricides (Page 195-224)Volume 19.2 Details
The Changing Patterns of North Korea’s International Film Co-Productions Since the 1980s: A Global Value Chain Approach (Page 83-108)Volume 19.2 Details
The Samjiyon Orchestra as a North Korean Means for Gender Based Cultural Diplomacy (Page 57-82)Volume 19.2 Details
